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Directors Notes
In a Southern Town or the spaces that its earlier inhabitants migrated
to -- Chicago, Pittsburgh, Los Angeles, New York, Oklahoma, Kansas
-- memories, tall takes and thoughts about the protection given
by and about the art of listening to our ancestors remain a part
of the culture. Ifetayo Valerie Lawrence Williams brings life to
ancestors of a small southern town in Mississippi. She invites the
residents to recall the strength, the guidance, the love that is
available to all who listen to the voices (intuition or actual speech)
of those who lived before. She is clear that some ancestors are
wicked and others have doubts about the fairness of the system.
Ifetayo Valerie suggests that the wise and the socially responsible
ancestors can lead the way for progress in an indifferent world.
Sarah explains her fears about the ability of ancestors to help
and about living in Mississippi in 1968:
"I don't know if
mothers go'n get too busy they forget to teach the children the
courage, the strength of our ancestors. I don't know if our story,
our way of life, will get buried beneath tomorrow and no longer
be there for us to use to climb up on so we can see where we come
from."
As Kuntu honors
four local playwrights, writers who have attempted to preserve or
to create new patterns of response, Sacred Ground forces many African
Americans and those who research its heritage and its traditions
to remember those multi language African men and women who came
to this country with a unique economic, cultural, legal, and social
system. Since they lived in forced isolation culturally and socially,
many of their mores and traditions remain. Ifetayo Valerie Lawrence
leads us forward to recall that the ancestors are here to protect
and to guide and to give meaning to a life that stands on sacred
ground. The idea is to bring forth the goodness, the love, and the
wholeness of Africans who stand on sacred ground; that years of
giving, of supporting, and of struggling validates our ownership.
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